Radio Shack SSM-1750 User Manual Page 52

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llIiI/
ELECTRONICS
NOTEBOOK 11111111111111
By
Forrest M. Mims III
Piezoelectric
sound sources
have
been
available
for more
than 20 years.
In the
mid-
1960's, Mallory
introduced
the Son
-
alert', a piezoelectric
sound source
in-
stalled
in a plastic
housing
with
a built
-in
driver circuit.
Today
numerous
kinds of
self -contained
piezoelectric
buzzers,
as
they are
often called,
are
readily avail-
able
from
many sources.
Radio Shack's
catalog,
for example,
describes
piezo-
electric
buzzers
that produce
continuous,
pulsing,
dual, and
chime sounds.
Consumer
and
industrial applications
for piezoelectric
buzzers abound.
They
are used
in
wrist
and
pendant
watches,
al-
arm
clocks,
calculators,
microwave
ovens,
telephones,
smoke
alarms, geiger
counters,
automobiles,
and
in many
other consumer
appliances
and
industrial
equipment.
Because piezoelectric
buz-
zers and elements
are
inexpensive,
easy
to
use,
and
highly reliable,
they are particu-
larly popular
with experimenters.
Piezoelectric
Buzzer
Design
Piezoelectricity
literally
means
pressure
electricity.
It is the phenomenon
wherein
a
voltage
is
produced
when pressure
is
applied
to certain
crystals.
Conversely,
piezoelectric
crystals
change their
shape
in
response to
an applied
voltage.
Crystals
of quartz,
tourmaline,
and
Rochelle salt exhibit
piezoelectric
pro-
perties.
Though
its
piezoelectric
effect
is
weak, quartz
is the most
important
of
these
crystals.
It is used
to
make highly
reliable and
reproducible
mechanical
os-
cillators
whose
frequency
varies
only
slightly
with
changes
in temperature.
Such
crystals provide
frequency
stand-
ards
and
highly stable
oscillators
for digi-
tal clocks
and
watches,
television
receiv-
ers,
radio transmitters,
and so
forth.
Rochelle
salt
crystals
have long
been
used to
make
high- impedance
crystal
ear-
phones and
microphones.
Development
of
high-
intensity piezoelectric
buzzers
and
related
devices awaited
the
develop-
ment of
a
family of
manmade
ferroelec-
tric
ceramics
having excellent
piezoelec-
tric
properties.
Among the
best
deve-
loped
of these
is
zirconate titanate.
Piezoelectric
Buzzers
METAL
DISC
P
ELECTILIC
CERAMIC
CompvcTIVE FILM
TY
Pl
C
AL
COLOR
CODE
1 -
BLACK
2.- RED
3 -
BLuE
2
sTaIJDARD
W iTN
FEEDBACK
TAß
Fig.
1. Details
of
typical piezoelectric
buzzer elements.
Figure
1
shows
two typical
piezoelec-
tric sound
generator
elements.
Most such
elements
have a
diameter
ranging
from
25 to
40 mm and a preferred
or resonant
frequency
of
from 2
kHz to
7 kHz. The
elements
are
formed by bonding
a disc
of
piezoelectric
ceramic
to a
larger disc of
flexible
metal. Electrical
contact
to the
disc is provided
through
the
metal disc
and
a conductive
film applied
to the
op-
posite
side of the
ceramic
disc.
When a
voltage
is
applied
across
the two
electri-
cal
contacts,
the diameter
of
the ceramic
disc expands.
This
motion
is transformed
into a
movement
perpendicular
to the
plane of the
disc by the
spring -like
action
of
the
metal disc.
The direction
of
mo-
tion
of the
disc is dependent
on
the polar-
ity of
the applied
signal.
Note that
one of the
discs
in Fig.
1 is
equipped
with a third
terminal
called the
feedback tab.
This tab
is a separated
por-
tion
of the
metalized coating
on
the sur-
face of the ceramic
material.
When an
os-
cillating
signal
is applied
across
the other
two
terminals,
a
voltage appears
at
this
tab
that can
be used
to stabilize
the
fre-
quency
of the oscillator
circuit.
More
about this
later.
A
circular
disc
will tend
to
vibrate at a
preferred
frequency
called
the
mechani-
cally-
resonant
frequency.
A dramatic
il-
lustration
of the
resonance
of
a piezoel-
ectric buzzer
element
can be arranged
by
connecting
the element
to
a
variable
fre-
quency
signal
generator,
either
a corn-
Fig.
2. Nodal
pattern
of an oscillating
piezoelectric
buzzer
element.
merciai unit or
one of the circuits
that
follows.
The
element
is
then
placed
with
its metal side up on
a soft surface (a
few
layers of tissue
paper
works well), and
some light, dry
powder such as sugar
or
an
artificial sweetener
is then poured
on
the center
of the metal
disc. A signal
is
then applied, and
its frequency
is swept
across the audio
spectrum.
The powder may
vibrate slightly
when
the signal
is applied.
At a particular
fre-
quency,
the powder
will
become
consid-
erably
more
agitated.
Much of the pow-
der
will vibrate
off the surface
of the disc,
leaving behind
a nearly circular
pattern
outlining
the
disc's nodal
region, the po-
sition of
minimum
vibration.
Figure
2
shows a
typical powder
pattern
that re-
sults
when a resonant
signal
is
applied
to
a real
disc.
60 /
MODERN ELECTRONICS
/ September
1986
Say
You Saw
It In Modern
Electronics
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