Radio Shack FX2 User Manual Page 27

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possible to explain to a potential user that
changing a value, which can be done on the
EPS itself within a fraction of a second,
needs 2 seconds when done by an external
computer. This is indeed the most serious
problem of all. For convenient editing,
processing SysEx commands must speed up
significantly.
4. Effects parameters of the onboard effects
should be make editable via SysEx. (Exter
nal Command Specification from October
4, 1990 doesn't mention any parameter
changes.)
Concerning the current 16 PLUS operating
system (1.1) I have encountered the follow
ing bugs (?):
1 . E v en if no in s tr u me n t i s s e l e c t e d o n t h e
front panel ("LOCAL OFF" state), patch
select buttons, mod and pitch wheels affect
the last selected instrument. This is espe
cially annoying when playing other sound
modules via a sequencer's MIDI THRU.
Sometimes selecting and deselecting an in
strument or pressing an instrument button
o f a t r a c k w h e r e n o i n s t r u m e n t i s l o a d e d
m a k e s t h e E P S w o r k i n t h e c o r r e c t m a n n e r
again.
2. The Data Entry slider's response is quite
inaccurate and slow.
3. Instruments made on the "old" EPS (i.e.,
the ESS-Library) often have an audible
"click" on key release, when the release
t i m e i s n e a r z e r o . A s t h i s i s n o t t h e c a s e
with the same instruments on the old EPS, it
must be a bug of the EPS-16 PLUS.
4. It is possible to assign different Wave-
samples overlapping key ranges in the
SAME layer (at least the display says so).
This should be made impossible since this
is internally (see Layer Map in SysEx and
audible result) not true.
Some suggestions for future OS releases.
1. Make it possible to read the complete OS
to memory at system startup so that no Sys
tem Disk access will be necessary during
operation.
2. To obtain Pressure response on white
keys, you have to apply quite a bit more
force than on black keys. This is probably
because the induction loops under the keys
are lined up straight and therefore do not
consider the different length of the keys.
T h i s s h o u l d b e t a k e n i n t o a c c o u nt w hen c al
culating the pressure value. It also would be
better to separate settings for velocity and
aftertouch sensitivity and give them an ex
tended value range (e.g., 0-99).
3. The Keyboard Version of the EPS-16
PLUS should respond to ALL NOTES OFF
a n d A C T I V E S E N S E c o m m a n d s .
3. The Hall Reverb program has an attack
with relatively high frequencies that sound
like a slightly delayed echo. Even if in
creasing the "Hi Freq. Damp" value, the
"echo" doesn't vanish. This effect (to my
ears) "smears" short sounds with a hard at
tack, like a cowbell. Perhaps you can
change this effect?
Yours sincerely.
Christian Roth
Schwabhausen, Germany
[CS - While I can't respond for Ensoniq, I
feel it should be pointed out that I have
used librarians and editors for all their
products, with great success. So it can't be
"nearly impossible" to create such software
- at least not so far as companies like Op
code, Digidesign, Passport Systems and so
on are concerned - because these products
work. And for the most part, they work
rather well.]
[Ensoniq - As Clark stated, "impossible" is
an unrealistic term, as many programmers
have created excellent software utilities for
our products with the same Sys Ex structure
that you are working with (Passport's Al
chemy, Opcode's Galaxy, Dr. T's X-Or and
others come to mind.)
As for your requests;
I) It's impossible to bypass the need to load
the overlays as this would involve a major
rewrite of the OS and increase the cost of
the unit because of the need for a markedly
larger OS ROM. Anyone looking to do ad
vanced editing and Sys Ex communication
should always leave the OS disk in the drive
because of this. As a programmer you
should be sure to clearly state this fact in
the documentation of your program.
2, 3 and 4) This is simply the way the
product is designed and can't easily be
changed. Thanks for the observations,
though.
"Bugs"
3) The output hardware on the EPS-16
PLUS is completely digital, with instan
taneous volume response as opposed to the
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